Reason doesn't suck.

Maybe those Enlightenment philosophers were on to something after all.

There was a Trumbull Master's tea last week, and DJ Kno of the cunniLynguists came to talk to us about how to differentiate from hot and wack (aka the Raekwon-Soulja Boy continuum). He was asked what programs he used, and one of the first he brought up was Reason, the program used to make this track.

For this assignment, we had to make a 60 sec House, Ambient, or Techno beat. I wanted this to be able to be played at the raves, so that ruled House out, and Ambient is kinda wack (right there alongside K-Fed's PoPoZao, his 'Brazilian Ass-shaker'). So I settled on a 4 to the floor beat (somewhat altered in second half) at 137 BPM (Disco Heaven), some ridic synth sounds and effects, syncopation, and a more than ample dose of raveability.



Thanks to KR for the initial melody, AJ for telling me to add crazier drums, and really chill British guy in Electronic Music for coming up with the name-Armageddon.

This took 4.5 hours, or 4.5 minutes per second of music.
You better like it.

Clicks

In my never-ending quest for the ill beat, Electronic Music threw a curveball for this assignment. Professor Kojs compressed ABBA's dancing queen to 1/32 of a second, which sounds too much like nails on a chalkboard, and told us to make three songs out of it. My ears started to bleed after hearing that click for the past three hours. But lo and behold, thanks to the wonders of Radial (aka REdial), a program which I cursed out every twenty minutes or so, my beats are smooth like butter. Well, maybe fat-free margarine, but still...

Honestly, I don't remember how I made that ridic alien sound.

Boomp3.com

The second track I made using reverb, vocoder, and abuse of feedback.

Boomp3.com

This final track I hope to expand at some point. I took a 4/4 beat and then ran a syncopated heartbeat pattern over it. The final clickings were altered by some adroit mousework on the keyboard. I ran different settings of the chorus effect on all the channels.

Boomp3.com

Maybe next time we'll actually get to remix ABBA.

Law and Order

I didn't know if I could make it for two weeks without a rave. Frankly, I'm sick of seeing white people grind. Back in nyc, maybe we thought we were cool enough to pull it off. But here at Yale, we're not 13 year olds rebelling against our parents. We're old enough to actually have sex, so why simulate it?


Raving the fuck out, on the other hand, is a perfect fit for an Ivy League institution. We all glow academically, so why shouldn't we literally?



Anyways...Glûnder Rave Redux was scheduled to start at midnight. People were invited to come at 11:45, so the room was somewhat full by then. I decided to start off with Supermode's Tell Me Why, the House remix, mainly due to the sick vocal intro and initial buildup.

Boomp3.com

For the second song, I wanted something where the beat came in immediately. Also, I didn't want there to be too much of a disjoint in terms of genre. So decided on the club mix of Benny Benazzi's Satisfaction.

Boomp3.com

Next, I got a request from a friend who really wanted to grind with this girl. I mean, I've already articulated I'm sick of grinding I am, but he's liked her for awhile, and the beat on Clipse's Grindin' is too hot not to crank on 540 watt speakers.

Clipse feat. Pharrell

Then, just as it started to really fill up, Yale Police paid a friendly visit. Ah, the perils of the Old Campus rave scene.